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Clubbing together
Baby Love
Until 25 April 2016 Durham Gala Theatre Studio
3 & 4 May
2016 South
Shields Customs House Studio
Baby Love is both a drama about the complexities of family and a
celebration of that North East institution – the working men’s club. A handful
of well chosen hits from the 60s and a clever script by Tom Kelly are well
delivered in this entertaining two-hander.
Shelley is a 34 year old club entertainer. She sings with her boyfriend
Darren around the once popular working men’s clubs. Darren is an avid collector
of 60s vinyl. Not happy with just singing the songs – he seeks to know who
wrote it and produced it. The elephant in the room for the couple is that
Shelley wants a baby.
Not helping the matter is a mother who keeps dropping less than subtle
hints about the couple getting married and that she wants to become a
grandmother again. Darren, though, is less keen on the idea.
 |
| Tom Kelly |
Fresh from the success of Geordie The Musical (North East Theatre Guide REVIEW LINK) Tom Kelly has retained all
of the sharp wit and keen observation of the human condition to create a
fabulous script. It is apparent that he knows the subject of the club scene
well. Of the various quips by concert chairman and observations by the
musicians themselves – the reference to the changing facilities being a cross
between a toilet and a cell from the condemned was a personal favourite. This reviewer was once a barman in the
concert room of a large club and the politics of the scene are accurately
portrayed.
 |
| Helen Cash & Jonathan Cash |
The play is also about a couple. It isn’t just what is said between a
couple but what is unsaid and that is what helps raise the bar here. The two actors have to sing and reveal their
back stories. Jonathan Cash’s portrayal of Darren helps keep the character
multi-dimensional. His version of the tricky Roy Orbison song Only The
Lonely, was as good as the better club singers out there. Jonathan’s real life wife Helen Cash is
similarly well placed as the broody Shelley. She gives a wonderful version of
Cilla’s Anyone Who Had A Heart.
The couple have a real chemistry on stage which helps make the story
more moving.
Accompanying Helen and Jonathan during the musical numbers was Andrew
Soulsby on piano/keyboard. The decision to have a live musician is to be
applauded. The audience responded by joining in on some of the numbers.
The only minor quibble of the show was the fact it had an interval after
just half an hour. Would it have been better to have gone without? But there
again perhaps I’m missing the point as having 2 acts replicates the set
structure of club acts.
The audience clearly loved the format. They joined in with the singing
when invited to do so and audible gasps at the start of the second act show
that they were engaged. Indeed there was a well deserved standing ovation at
the end.
Baby Love benefits from
an insightful script, good music and charismatic acting. It doesn’t hide from the fact that family
life is complicated and relationships are tricky to maintain. This charming
show is canny.
This review was written by Stephen Oliver for Jowheretogo PR (www.jowheretogo.com). Follow
Jo on twitter @jowheretogo, Stephen @panic_c_button or like Jowheretogo on
Facebook www.facebook.com/Jowheretogo.
Tickets:
Baby Love continues at
Gala Theatre Studio in Durham from 22 to 25 April at 8.00. http://www.galadurham.co.uk/theatre/index.php?genreID=DRA
The run ends at the
Customs House Studio in South
Shields on 3 May
at 7.30 and on 4 May at 2.30 and 7.30. http://www.customshouse.co.uk/whats-on/Theatre/2164/baby-love
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