Showing posts with label Edinburgh. Show all posts
Showing posts with label Edinburgh. Show all posts

Monday, 31 August 2015

Review: A Trip to Edinburgh




A Trip to Edinburgh
Thursday 28th August 2015.

The plan was a simple one: see as many shows as we could before 9pm. There was no preparation – we were going to see the first show that was flyered in our direction. Just outside Waverley railway station was Angie Belcher whose show Mythical Creature was going to start in 10 minutes. Finding the Electric Circus was not an issue as it is tucked into the side of the railway station. Finding the Lizard Lounge within was more fun. After discovering a cleaning cupboard we eventually pushed on the magical orange door which led to a small room with five comfy sofas. We were on our own and we feared the worse but soon the room soon filled up.

Angie Belcher was able to tie up a conversational style of stand up comedy with her sharp observational poetry. We were given a range of topics from a love of cider, turning 50 to shopping at Aldi.  Unlike the poetry I had to study at school all of those years ago, this was material I could relate to such as the holiday photos when I was a child and the dreadful shots taken at school which still adorn my parents wall. Angie was a perfect start to our festival experience and we hope to be able to see her again.

As we left the venue we picked up a handy PBH Free Fringe brochure and we headed to Cabaret Voltaire via some of the free entertainment on the Royal Mile. The party atmosphere was intoxicating but you couldn’t move more than a few metres before a flier was thrust in your direction.

The Cabaret Voltaire served coffee but had no sugar. That small obstacle aside, it is a great venue which has a number of rooms in its basement. Dan Mitchell must have been, literally, in the coolest venue on the fringe as the air con was working overtime.  Plate Expectations is a great set from a smooth operator. Dan has a warm friendly demeanour that reminded me of Dave Allen. The humour fed the audience rather than attack them. Indeed the Tunnocks and brownies were on offer to some participants. The show started by dipping into the joys of language, in particular Dan’s native Welsh. Is the Welsh translation of Jellyfish really Cont y Mor? The show moved onto Ainsley Harriott’s suggestion that there is nothing worse than wet watercress via the audiences suggestion for the greatest Sunday dinner. The really funny hour long set flew by.

We moved onto Cowgate and we accosted by a young flyerer who was determined to see that we join the long queue to get in the Sin venue for Javier Jarquin’s Card Ninja show. In an exhibition on extreme card manipulation we were treated to the trails of ninja. The audience participation worked well and added to the shows dynamics. It may not have been a magic card show, it was much better than that.

Next up was Phil Jupitus is Porky The Poet in Apologist Now at the Liquid Room Annexe. Phil is a wonderful force when they put a microphone in front of him. There is something about his voice which is very pleasurable and one wishes that he was still presenting the 6Music Breakfast Show. Phil is not ashamed about his left wing sensibilities as he explores topics as diverse as Blair, Boris and Farage in his poetry. He reveals how he feels about family from his estranged Irish Dad to his daughter putting up with the weekend rabble as she studies in Amsterdam. Most memorable was his extensive work about his first gig when he saw Blondie and to the 10 line  poems using Fringe show titles. The sharp wit and repartee made for an absorbing show.

The final show for us was back at Cabaret Voltaire. Orlando Baxter is an experienced teacher from the US and his show Glorified Babysitter explored the crazy events that teachers face. It is no surprise that kids in the US are similar to those in the UK with their “unique” issues and behaviours. The stand up routine included kids who get thrown out of class because they’re in pyjamas or because they keep making cat noises. Fire alarms and splitting up fights happen in the UK, perhaps lock downs (if a gun man, for example, attacks) are not. Next time you hear a teacher ask “what do you think?” you’ll know it is code for “I don’t actually know the answer.” Orlando is a personable chap and it is clear how his people skills will have worked well in the classroom. Glorified Babysitter is a distinctive comedy show that’s full of laughs.

We had succeeded in seeing five great shows in just a single day’s visit. As a family taster of Fringe, it only whetted our appetite to do more fringe shows next year if we can find some suitably priced accommodation. To those who put on the other 3309 shows (weblink to EdFringe news story) that we didn’t see then we can only apologise for missing you out and encourage you to visit the North East soon so we can see you in action. Drop us a line and we’ll do a preview/review of your show.

This review was written by Stephen Oliver for the North East Theatre Guide from Jowheretogo PR (www.jowheretogo.com ). Follow Jo on twitter @jowheretogo, Stephen @panic_c_button or like Jowheretogo on Facebook www.facebook.com/Jowheretogo





Wednesday, 5 August 2015

Review: Up the Nerd Punks at Newcastle Alphabetti Theatre


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We would like to introduce to the North East Theatre Guide... Matt Cummins as guest reviewer:


Henry Raby – Up the Nerd Punks
Newcastle Alphabetti Theatre
Saturday 1st August 2015 and then Edinburgh Fringe (see below)

Henry Raby
Dinosaur punk rockers, David Cameron reincarnated as a Pokemon character, the Bedroom Tax, and an analysis of gender roles in “Hey Arnold!” is just a taste of what you can expect in Henry Raby’s excellent show “Up the Nerd Punks”. There’s so much crammed into this piece that a taste is all that a short review can provide, and anyway to appreciate it fully you have to see Henry dance his way through it. He has an infectious energy and he exploits it to the full. Stood mostly on tip-toes, he delivers at top speed what starts as a re-write of Punk rock history (woven, somehow into palaeontology) leaves you feeling energised and excited. I wanted more.

His show is “more ramshackle than other shows” he warns us, but the disclaimer is unnecessary. Raby is extremely capable and very funny and despite these protestations to the contrary we feel very safe in his hands. This is a poet who knows what he’s doing. The poems may be about blue tack and gamer-boys’ untidy bedrooms, but the show is carefully crafted and considered, often with a deeply political as well as a personal message. Behind this dancing, friendly, energetic nerd is a brain, and a man who has clearly loved, and been alone, and been scared and fought for what he wants. And also a man who considers “1984” a friend and who wonders, via a story about writing a letter to himself, whether the real horror of our current situation is that it is the dystopian future that we worry about.

This show is extremely difficult to summarise. There is the familiar and the unfamiliar – he is at pains to try to explain what “cosplay” is to the uninitiated – the political and the personal, the polemical and the poetical. It’s a must see, very good indeed. “Up the Nerd Punks” indeed.

This review was written by Matt Cummins – thanks Matt,

Edinburgh Fringe Tickets:

Up The Nerd Punks by Henry Raby is part of PBH Free Fringe, showing from 23rd – 30th August (6.15-7.15pm) at the Stafford Centre (venue 175)

Review: Something Wicked This Way Comes at Newcastle Alphabetti Theatre

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We would like to introduce to the North East Theatre Guide... Matt Cummins as guest reviewer:


Matthew MacDonald – Something Wicked This Way Comes
Newcastle Alphabetti Theatre
Saturday 1st August 2015 and then Edinburgh Fringe (see below)

This is a deceptively simple show and if you are a fan of story telling and fairly tales, it’s not to be missed. You’ll get more than you bargained for.  I certainly did, and the “more” comes in some pretty dark colours.

Matthew MacDonald
In between working at a call centre and attempting to forget the experience of reading Bruno Bettleheim’s Freudian analysis of fairy tales, Matthew MacDonald has crafted what begins as a romp through familiar territory. We’re with characters that we know but their world seems a little more real that we are used to. We’re removed from the landscapes drawn by Disney/Pixar, however, and instead sent skittering back through centuries of our own storytelling culture to half known and half remembered characters such as the Green Man, The Queen of the Fey, Mab, and the Tooth Fairy, the latter in an incarnation that sends a chill up the spine. These are creatures dressed in things that they really shouldn’t be, characters you really don’t expect. One can’t help feeling that this is a resurrection of sorts, of something that we used to know collectively, but now don’t. An excellent enterprise indeed.

A mixture of prose and poetry, this is a perfect example of how a poetic sensibility can be employed to write stories. And delivered in Matt’s charming, warm, inviting voice it is a pleasure simply to sit and listen. It draws you in. But what you don’t realise is that you are being softened up. Obviously I can’t tell you what you are being softened up for, but what I will say is that if you like your meat rare, you won’t be disappointed, and if you are a vegetarian then you are likely to have that position reinforced. This is an easy show to recommend. Go and see it; you’ve nothing to lose – except perhaps that night’s sleep.

This review was written by Matt Cummins – thanks Matt,

Edinburgh Fringe Tickets:
Something Wicked This Way Comes by Matt McDonald is part of PBH Free Fringe, showing from 8th – 15th August (6.15-7.15pm) and 16th – 22nd August (2.15-3.15) at the Stafford Centre (venue 175)

Tuesday, 4 August 2015

Preview: Peter Antoniou at Edinburgh Sweet Grassmarket


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Peter Antoniou – Happy Medium
Edinburgh Sweet Grassmarket
Thursday 6th August – 30th August 2015

Star of the sell-out Evening of Burlesque tour and consultant to TV’s Dynamo, ‘Psychic’ Comedian Peter Antoniou brings his smash-hit show back to Fringe. Part life advice, part stand-up comedy, part psychic demonstration, it is a truly unique and unpredictable experience that showcases Peter’s quick wit and phenomenal ability to pick up thoughts.

If you could ask a Psychic one question what would it be? This is the simple concept Peter’s show revolves around. You merely think about your questions and Peter will read that question from your mind and set about delivering a funny and insightful answer. Sometimes hilarious, sometimes touching, not even Peter knows what is coming up next as each person used in the show is chosen by the roll of a dice.

Peter is quick to point out that he isn’t talking to the dead though. “I can talk to the dead. The problem is they don’t talk back, which I think is rude because it’s not like they are up to much,” he quips. The show is much more about the human connection. “Everyone has a special story, an interest fact, a personal quandary that is unique to them”, Peter explains. “My skill is to pull those stories out of people’s brains and stitch them together to make a show”.

Peter has wowed audiences the world over, including royalty and blue chip companies including Disney, Ernst and Young, and Drambuie. This is his eighth year at the Fringe and he has some very special surprises to celebrate. “I’ll be using twitter to announce a lot of pop-up performances, sneak peeks at exciting new projects I’m not allowed to talk about yet and give out free gifts during the month. I am really looking forward to creating an interactive experience that moves far outside the theatre for the whole month,” Says Peter. You can follow him on twitter for your chance to get free gifts and be the first to hear about the pop up performances at www.twitter.com/isyourmindsafe

A truly unique experience — come and witness a show that is never the same twice, and truly is made from the audience. Come and think your question and wonder: is your mind safe?

Tickets:
The show runs  at Sweet Grassmarket, Apex International Hotel, EH1 2HS from the 6th August – 30th August at 19:35 (60 mins). Tickets £7 (£6 Concessions)
Previews 6th and 7th of August Tickets: £5


Preview: Ushersl at Edinburgh Momentum Grand

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Theatre Life

Ushers: The Front Of House Musical
Edinburgh Momentum Grand @ St Stephens
Wednesday 5th – Sunday 30th August 2015


Set in a West End theatre, the acclaimed hit new musical comes to Edinburgh! Following the lives of the stagiest people in theatre – the Front of House staff – and portraying the hilarious, ridiculous and frequently moving stories of ice cream sellers who  dare to dream... A preview performance of a new jukebox musical (Oops! I Did It Again, The Britney Spears Musical), a three-year workplace romance on the rocks, an untrained newbie on her first shift and an amorous manager under pressure to cut costs. What could possibly go wrong?

“musical merrymaking poking fun at the world of musical theatre, but always with warmth and affection” (Gay Times)

USHERS: The Front of House Musical began life at the Hope Theatre, Islington, where the 5-star rave reviews and great audience response promoted it to the main show at Charing Cross Theatre, whereit now leaps to the Edinburgh Fringe.

Written by Yiannis Koutsakos (music and lyrics), James Oban
(lyrics) – both @Westendproducer Search for a Twitter Composer (#SFATC) finalists – and BBC comedy actor James Rottger (book), all of whom have ushering experience, the production is “energetic, G&T-fuelled satire, and chock full of in-jokes” (What’s On Stage). Now featuring a new cast, including numerous West End and No. 1 tour credits (as well as a Stephen Sondheim Award winner!).
“the perfect blend of funny, tragic and totally relatable” (Official Theatre)

The show has big, bold company numbers, Fosse-like
ice cream tray choreography and a script with heart, soul and a nice-bucket full of laughs – “everything a musical should be and more” (Everything Theatre)!
“a cheeky take on the life behind the scenes at a
West End theatre; a must see for even the most reluctant musical goer” (Everything Theatre)

Cast & Creatives:
Company Matthew Cundy Productions and Kouban Productions
Music, lyrics and book Yiannis Koutsakos, James Oban and James Rottger
Director Max Reynolds
Choreography Russell Smith
Musical Director James Cleeve
Cast: Ben Rory Maguire, Gary Ben Fenner, Stephen Cameron Sharp, Rosie Alexandra Parkes, Lucy Corrine Priest, Robin Harry Stone

Tickets:
USHERS: The Front of House Musical appears at Momentum Grand @ St Stephens, St Stephen's Centre, Saint Stephen Street, Edinburgh, EH3 5AB from Wednesday 5th - Sunday 30th 2015, 9.30pm
Ticket Price £15 - £9
Running Time 80 mins
Box Office Momentum Venues (momentumvenues.com), 020 3432 0969
Edinburgh Fringe (tickets.edfringe.com ), 0131 226 0000
Links Website (ushersmusical.co.uk )
Website – Kouban Productions (koubanproductions.com)



Preview: Butoh Medea at Edinburgh Paradise Green

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East meets West


Butoh Medea
Edinburgh Paradise Green
8th -15th, 17th -22nd, 24th -30th August 2015

East meets West: Japanese Butoh dance and Greek theatre breathe new life into the ancient tale of Medea.


Photo: Derek Van Heel
Using the Japanese dance of Butoh and an adapted text, Japanese actress Yokko tells the story of Medea through solo performance. This fusion of Western drama and Eastern dance draws the audience into Medea’s spirit. They experience the world she is trapped in where love, hate, and the struggle between her humanity and inhumanity take hold.

“…unforgettable theatre…I highly recommend that you experience Medea as you never have before.” – Chris Carlone, Butoh Heart.


Photo: Vanessa Teran
Butoh Medea premiered in New York City in 2014, conceiving a new genre of performance. It received 4 awards at the United Solo theatre festival in 2014, including Best One-Woman Show. United Solo presented 130 productions from 6 different continents. Yokko started creating Butoh Medea in March 2014 by adapting the mythological Medea and Euripides' tragic dramatization of her story using the Japanese modern dance form of Butoh.


"It was breathtaking performance." - Kaoru Komi, Syukan New York Seikatsu Press.

Cast & Creatives:
Director: Brian Rhinehart                                    Writer: Sean Michael Welsh
Adapter: Yokko & Sean Michael Welsh           Producer: Ren Gyo Soh and Laura Kressly
Lighting Design: Derek Van Heel                      Costume Design: Deepsikha Chatterjee
Choreography: Yokko and Jordan Rosin        Asst. Director: Cihangir Duman
Vocal Coach: Alyssa Ciccarello                      Performer: Yokko


Photo: Vanessa Teran
On The Web:

Tickets


Photo: Vanessa Teran
Butoh Medea appears at Paradise Green, Paradise in the Vault, 11 Merchant Street, Edinburgh EH1 2QD

Dates: 10-15, 17-22, 24-30 August 2015 (previews 8th -9th) at 7:15 pm

Running Time: 55 minutes