Showing posts with label Alex Elliott. Show all posts
Showing posts with label Alex Elliott. Show all posts

Thursday, 13 August 2015

Preview: The Sitting Room at Washington Arts Centre

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OPERATING THEATRE RETURNS TO ARTS CENTRE WASHINGTON


The Sitting Room/For the Best
Washington Arts Centre,
Wednesday 16th September 2015
 
Elaine’s niece Annabelle doesn’t think much of her aunt. Just plain selfish as far as Annabelle is concerned.  An old hippy expecting the state to look after you, that’s you, according to Annabelle. But will the state look after her in twenty years time, that’s the question Elaine finds herself asking……      
 
Operating Theatre’s new play, The Sitting Room, looks at care for the elderly today, but more importantly what such care might be like in the future, in particular for those without the security of things like private pensions behind them. It will be presented twice on Wednesday September 16 in matinee and evening performances.

In addition, Operating Theatre’s evening performance will also include For the Best, a hard hitting play about health care for people with learning disability, which Operating Theatre brings back to Arts Centre Washington after a summer of successful stagings in London, Leeds, Birmingham and Manchester. For The Best also poses a question —  in this case, why is is that  people with learning disability die on average 20 years earlier than the rest of the population, and this in a country that promises equal health care for all. You can read the North East Theatre Guide review of For The Best here.

Operating Theatre was formed in 2001. It presents original drama on a wide range of issues concerned with health and social care. As well as performing at conferences and other events throughout the country, four of its plays are seen each year by medical students at Newcastle and Durham universities as part of their training  — the only theatre company in the country to collaborate with a medical school in  this way.

Tickets:
The Sitting Room/For the Best will be performed at Arts Centre Washington on Wednesday 16th September 2015.
1.30pm: The Sitting Room  
7.30pm: The Sitting Room + For the Best 
£3.50 (matinee)
£8.50 / £6 (online) / £9.50 / £7 (box office)

Both performances include an opportunity for the audience to take part in this crucial debate at the end of each performance.
Suitable for ages 12+
Theatre website:  www.artscentrewashington.co.uk
Box office: 0191 219 3455




Thursday, 12 February 2015

Review: For The Best at Arts Centre Washington



Focussing our care

For The Best
Arts Centre Washington
12th February 2015.

The artistic director of Operating Theatre, Alex Elliott, poses the moral question – What can we do to improve access to healthcare for those with learning disabilities?

Louise Dearden
Louise Dearden performs in an emotional monologue about a care worker whose patient of the last four years has passed away. Whilst her friends and family wonder why she is taking it so hard, she has many questions to ask. Why, on average, do women with learning problems die 20 years younger? Why do they often die of conditions that, according to a recent survey, might have been avoided with a better level of care in 37 % of cases?

The care worker had built up enough of a rapport with Brenda to enable to help her and notice a deterioration in her health. However, she is not permitted to accompany her to the doctors for her health check, which in turn, doesn’t get to the bottom of the problems. Two weeks later Brenda is dead, leaving the care worker mulling over whether or not she could have done more.

The result leaves the audience with many ethical questions about our priorities as a society and our approach to make it an inclusive one, or the lack of such approaches. The evening had two forums to reflect. Firstly the audience questioned Louise in character as the care worker, and then a panel discussion of those involved further explored the issues.

Alex was an excellent chair for the discussions and he was able to use his engaging style to get the best out of both the panel and the audience. Louise gave a convincing, passionate performance and was able to discuss the care workers thoughts with the audience empathetically.

This was both an intriguing and captivating production that asks what do we want from our National Health Service? How do we ensure the service is inclusive and accessible? How do we support the workers on the front line?

A provocative production.

On The Web:

This review was written by Stephen Oliver for Jowheretogo PR (www.jowheretogo.com). Follow Jo on twitter @jowheretogo, Stephen @panic_c_button or like Jowheretogo on Facebook www.facebook.com/Jowheretogo

Sunday, 25 January 2015

Preview: For the Best? at Arts Centre Washington



For the Best?
Arts Centre Washington
Thursday 12th February

The NHS promises equal health care for all. But thats not the case according to a thought-provoking drama at the Arts Centre Washington.

Operating Theatre actress
Louise  Dearden who plays
the angry careworker
in For the Best
The provocatively titled ‘For the Best’ suggests the NHS demonstrates an uncaring attitude towards people with learning disability, in particular women who die on average 20 years earlier than the rest of the population.

‘Its a shocking fact that according to a confidential enquiry last year 37 per cent of the deaths of people with learning disability might have been avoided if those people had received the level of health care on offer to the rest of us,says ‘For the Best’ director Alex Elliott.

‘Everyone knows there are immense pressures on the NHS which makes it increasingly important that people with learning disability should not be forgotten and treated as somehow less important when it comes to health care.

The play, is the work of Operating Theatre, a north-east based company which specialises in drama on health and social care issues. It was written after considerable research, talking to people with learning disability, to doctors and other health care professionals involved in the field.  At its heart is the relationship between a woman with learning disability and her care worker who is angry at the poor treatment the woman receives and which is responsible for the tragedy which occurs.

Operating Theatres radical way of working means that the audience will be able to have their say on the issue in a facilitated discussion which will form part of the performance. 

On The Web:

Tickets:
For The Best is on at Arts Centre Washington on Thursday 12th February at 7.30pm.
Tickets are £7.50 or £5 for Concessions and are available from www.artscentrewashington.co.uk or by calling 0191 219 3455