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Walk in the shoes of some real Victorian
characters at Live Theatre
A
Live Theatre Production. World Premiere
Harriet
Martineau Dreams of Dancing
Newcastle Live Theatre
Until
Saturday 3rd December
2016
Written by
Shelagh Stephenson
Directed
by Max Roberts
Designed
by Alison Ashton
Music by The Unthanks
Choreography
by Lee Proud
Photo:
Keith Pattison
|
Shelagh
Stephenson’s new play looks at the issues of 1844 but many of them apply as
much today. Women being, at best, ignored and misrepresented. Opportunities for
the few rather than the many. Add in a mix of pseudo-science being passed off
as medical cures; racism, slavery and misogyny and it could well be 2016. Sharp
wit in the writing give the show more of a feel of a present day sit-com rather
than period drama making the show accessible to a much wider market. Live
Theatre, once again, show there are benefits in showcasing new writing rather
than sticking to the old pot boilers.
Photo:
Keith Pattison
|
On a well
designed and visually appealing set representing Harriet’s attic room on the Front Street in Tynemouth we meet the lady of the house
discussing her ailments with her brother in law doctor Thomas Greenhow. From
being a writer and social reformer with strong anti-slavery views, Harriet is
now considering herself to be just an invalid. Dr Greenhow keeps having to
remind her that she isn’t about to die.
After his
departure Harriet gets a visit from Impie Haddock, a young lady with a fixation
for painting seals and a very matter of fact way of speaking. She is not
hampered by normal social conventions of speech. After announcing that her awful husband was killed
just over 10 days after they were married she says she is happy. Not for her
the formal period of mourning, a problem is resolved – so why get upset about
it? Harriet encourages her to elucidate her feelings.
Photo:
Keith Pattison
|
This is in
contrast to Harriet’s housemaid Jane who gets up at 4am to make the fires and the breakfast.
Her place is eternal servitude and a fine comparison is to be drawn without
having the point rammed down ones face.
Photo:
Keith Pattison
|
Later we are
introduced to Impie’s uncle, the blinkered Robbie Grey and his brother’s child
Beulah whom he has taken on but is struggling to work out. Harriet is a strong
character who is able to put Robbie in his place and the man aggressively tries
to assume the alpha position in the group.
Photo:
Keith Pattison
|
The play is
blessed with a great cast and some fine acting. Lizzy McInnerny is perfect as
the headstrong socialite Harriet. Though the character, at times, is a bit
eccentric, Lizzy never appears to be unnatural. Amy McAllister, likewise, is
delightful as the young Impie Haddock. Far more eccentric and thoroughly
wonderful, Impie was fabulous thanks to Amy’s delivery of the script.
Photo:
Keith Pattison
|
Deka
Walmsley’s Robbie Grey walked on the right line between being just obnoxious
and recognisable in a modern context. Kate Okello and Laura Jane Matthewson don’t put a foot wrong as
the niece Beulah and the maid Jane.
Photo:
Keith Pattison
|
Max Roberts
and Shelagh Stephenson direct a sharply observed play that entertains as well
as making you pause to think. The issues and misconceptions in Victorian
England haven’t gone away nor has social mobility particularly improved. Whilst
dealing with some big issues, the play doesn’t get heavy and remains
entertaining. Add in some fine dancing to go with the music by local stars The
Unthanks and the Quayside venue has a great show that it can justifiably be proud
of.
Review by Stephen Oliver.
Review by Stephen Oliver.
Tickets:
Photo:
Keith Pattison
|
Harriet
Martineau Dreams of Dancing is at Live Theatre from Thursday
10 November to Saturday
3 December 2016. For more information and tickets which cost between £12-£26, concs
from £10 ring Live Theatre’s box office on (0191) 232 1232 or see www.live.org.uk.
DURATION:
2hrs 20mins, incl. an interval
SUITABILITY:
10+
2PM MATINEES:
Thurs 17 Nov, Sat 19 Nov, Thurs 24 Nov, Sat 26 Nov, Thurs 1 Dec & Sat 3
Dec.
4PM MATINEES:
Sun 20 Nov & Sun 27 Nov
ASSISTED PERFORMANCES:
BSL Wed
30 Nov, 7.30pm
Touch Tour
Thurs 1 Dec, 6pm
Audio Described
Thurs 1 Dec, 7.30pm
Captioned
Sat 3 Dec, 2pm
FREE
POST SHOW
TALKS (Free booking essential):
Photo:
Keith Pattison
|
Harriet Martineau and Victorian Pseudoscience
Sunday 20 November (after the 4pm show so approx 6.30pm)
Harriet Martineau and Victorian beliefs in practices such as
mesmerism and phrenology, are discussed by Dr Ella Dzelzainis, Lecturer in
Nineteenth-Century Literature at Newcastle University and co-author of Harriet
Martineau: Authorship, Society and Empire (2010), Pat Beesley, PhD candidate in English Literature at
Newcastle University and recent convener of The Pseudo/Sciences of the
Long Nineteenth Century Research Group and Patrick Low, PhD student of History
at Sunderland University researching Capital Punishment in the North East of
England (1752-1878).
Photo:
Keith Pattison
|
Harriet Martineau In and Beyond Tynemouth
Tuesday 22 November (after 7.30pm show so approx 10pm)
Tuesday 22 November (after 7.30pm show so approx 10pm)
Dr. Joe Hardwick, lecturer in History at Northumbria University and organiser
of the Mapping Radical Tyneside website talks about Martineau’s significance
for Victorian radicalism and the emergence of the professional woman writer.
The talk connects her domestic life in Tynemouth with the
powerful voice that she developed on issues as wide ranging as slavery, empire,
politics, economics and the rights of women.
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