Follow North East Theatre Guide on Twitter at https://twitter.com/NETheatreGuide and on Facebook at www.facebook.com/NETheatreGuide. Read about JoWhereToGo and its
PR and photography services here.
World Premiere: A new ballet choreographed by David Bintley
The Tempest
Sunderland Empire
Thursday 20th – Saturday 22nd
October 2016
Birmingham Royal Ballet’s 2016 Shakespeare season
concludes with the world premiere of Director David Bintley’s new full-length
ballet The Tempest. One
of William Shakespeare’s most beloved narratives takes to the stage in a
breath-taking production full of theatrical wizardry and stunning designs
by War Horse’s Rae Smith set to a brand-new score by acclaimed
British composer Sally Beamish and lit by Bruno Poet (Miss Saigon).
In The
Tempest, David Bintley conjures Prospero’s magical isle from Shakespeare’s
late masterpiece into a spellbinding new work of ballet theatre. At once enchanting and elemental The Tempest is
a powerful story of a man determined to right past wrongs by all means in his
power. This creative collaboration with acclaimed composer Sally Beamish,
designer Rae Smith (The Prince of the Pagodas, War Horse), and lighting
designer Bruno Poet (Miss Saigon)
intertwines themes of love, loyalty, and loss, punctuated by a comic duo, more
than one dastardly conspiracy and a spectacular danced masque featuring gods
and spirits.
The Tempest receives its world premiere at Birmingham Hippodrome on Saturday
1 October, with performances there until Saturday 8 October, and then embarks
on a UK tour to London (Sadler’s Wells), Sunderland (Sunderland Empire) and Plymouth (Theatre Royal Plymouth) throughout October.
Production credits: Music: Sally
Beamish; Choreography: David Bintley; Designs: Rae Smith; Lighting: Bruno Poet.
Tickets:
Tickets available from
the Box Office on High Street West, via the ticket centre 0844
871 3022* or www.ATGtickets.com/Sunderland *calls cost up to 7p per
minute plus standard network charges. Booking and transaction fees may apply to
telephone and online bookings.
No comments:
Post a Comment