We Hear The Bells In Sunderland!
Hairspray
Sunderland Empire
Until Saturday 30th September
2017
Hairspray is
a modern classic. Visually it is bright and energetic. Beneath the candyfloss
is a message of social harmony and the fight against small mindedness that is
as relevant today as it was in the 1960s.
The show
begins with a big production number as the hero, Tracy Turnblad, wakes up on a beautiful
morning in Baltimore. This is a chance for Rebecca Mendoza
to shine in front of an appreciative Sunderland audience. She meets up with her mate Penny, played by
understudy Lindsay Atherton, in order to watch the Corny Collins Show. This is
a dance show which in 1963 has an all-white ensemble except for one show each
month which is known as “Negro Night”.
The news
that one of the dancers is leaving to have a baby means Tracy has her chance to audition and meet
the dancers like Link Larkin (Edward Chitticks), on whom she has a crush. Being
open minded she wants to bring integration to the show and to have kids of all
races dancing together. But this is 1963, the producer Velma (Gina Murrray) and
the shows sponsor Mr. Harriman F. Spritzer (Graham MacDuff) have other ideas.
Support for Tracy in her conquest is from her larger
than life mother Edna and father Wilbur, played by Matt Rixon and Norman Pace.
They are a great double act and created many of the shows lighter moments -
especially during their duet ‘You’re
Timeless To Me’.
Singing is
faultless throughout the show. One particular highlight is when Brenda Edwards,
as DJ Motormouth Maybelle, nails ‘I Know
Where I’ve Been’. The dancing from the ensemble was a real highlight of the
show. Layton Williams, as Seaweed, had opportunity to show his moves.
The set and
lighting are both effective in delivering the show without gaps in the action. There
may have been a delay at the start but it was well worth the wait. The set featured
the live band, under Musical Director Ben Atkinson, at the back of the set
during the Corny Collins TV show scenes. The band didn’t put a foot wrong all
night.
Director
Paul Kerryson and choreographer Drew McOnie have delivered a positive show that
has many laughs. The dancing and on stage action have a real energy that left
the audience buzzing at the end. The cast, band and crew deserved the standing
ovation at the end. Whilst it is a 21st
century musical - it is a firm favourite with musical fans and it is easy to
see why.
Review by Stephen Oliver.
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Booking Information:
Tickets are
available in person at the Box Office on High Street West, from the Ticket
Centre on 0844 871 3022* or online
using the banners from our afilliate ATG Tickets below*
*Calls cost up to 7p per minute plus your standard network charge.
Booking fees may apply to telephone and online bookings
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