Review: Young People’s First in 3
Northern Stage 19/2/2014
Northern Stage aim to showcase ideas in the intimate
surroundings of stage 3.The first opportunity for the 16-25 age group to explore
their creative ideas was last October during the Juice Festival. Today’s show
of 6 acts appears to now be part of a twice a year event. A variety of art
forms were on show and a lot of raw creative talent was apparent. Whilst some
acts are closer to a final show than others, each act has something worth
developing. As an evening of entertainment it is a real pick and mix. To that
end – each member of the audience will have their own highlight.
Emily Nicholson’s film “Dancing Dream” followed the monotony
of an office job to the dreams of dancing. The music was in time with the
tapping of the keyboard as the dream sequence moved outside. Dancing with the
wheelie bins in the snow let smiles on the faces of the audience.
Northern Stage wanted the audience to leave feedback on
notes on a wall throughout the show. One such note about the Ingenius
Ensemble’s performance of Rachel Lynn Brady’s Ace In The Hole suggested it
would have worked best as a radio play. Perhaps it would work in such a format
but there are a number of ideas that could make a great show for either adults,
or with reworking, for families. The skit involved a hologram / computer
interface trying to support a departure from a planet. It echoed in feel the
recent production of Mission To Mars which came to Stage 2 of northern Stage. The company aim to support the creation and
writing of new work for young women but as “GRACIE” wished the crew “Happy
Moving Day” it was probably the younger male members of the audience that were
getting the most from it. Both cast and storyline have potential.
John Hamilton May gave a confident spoken word performance in
his piece entitled “The Jumble Male”. His understanding of language was
exploited on themes as diverse as men who seek underage girls, male mental
illness and finding new love in Thirsk, North Yorkshire.
Even the list of gifts for his 61 year old father had linguistic resonance.
The musical interlude came from Lauren Hickins “Role of a
Lifetime” in which she recalled a number of performces she has made in her
short career to date and some roles that she’d like to cover in the future. The
singing was delightful and a titular lead role in any revival of Carrie The
Musical could easily be considered for Lauren.
After the interval came one of the highlights of a diverse
evening as Sisley Henning performed a stand up comedy routine for only the
second time publicly. Her timing was spot on as she gave many of the acts at
The Stand a run for their money. Her delivery of topics such as confusion over
her name, hair and keeping fit was confident and natural. The audience laughed
as Sisley explained that it is said that you might not be able to buy happiness
but you can buy pizza.
Hindsight is wonderful and perhaps the preparation for the
multimedia presentation of Kindness Kontagious by Sian Armstrong could have
started in the half hour before the show began rather than in the interval. The
audience were asked to be filmed to reveal moments of kindness and, after
editing, the film was played back. It was a brave attempt to involve the
audience and one which was worth waiting for.
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