Wednesday, 8 March 2017

Preview: We’re here because we’re here at Newcastle Northern Stage



NEW NORTHERN STAGE EXHIBITION TELLS STORY OF JEREMY DELLER’S ‘WE’RE HERE BECAUSE WE’RE HERE’

‘We’re here because we’re here’
The story of Jeremy Deller’s Modern Memorial
Newcastle Northern Stage
Friday 3rd – Thursday 16th March 2017, 9.30am – 11.30pm

The exhibition at Northern Stage tells the story of the contemporary memorial ‘We’re here because we’re here’, presented by 14-18 NOW and the National Theatre from 3 – 16 March 2017.

‘We’re here because we’re here’ in the North East
Photo: Topher McGrillis.
‘We’re here because we’re here’ took place on 1 July 2016 when more than 1400 voluntary participants in First World War uniform appeared unexpectedly in locations across the UK. The participants were a reminder of the 19,240 men who were killed on 1 July 1916, the first day of the Battle of the Somme. Each represented an individual soldier who was killed on that day.

The soldiers, dressed in historically accurate uniforms, did not speak, but at points throughout the day would sing the song ‘We’re Here Because We’re Here’, which was sung in the trenches during the First World War. They handed out cards to members of the public with the name and regiment of the soldier they represented, and, where known, the age of the soldier when he died on 1 July 1916.

Created by Turner Prize-winning artist Jeremy Deller in collaboration with Rufus Norris, Director of the National Theatre, ‘We’re here because we’re here’ reached over 30 million people across the UK1. The work was specially commissioned by 14-18 NOW, the UK’s arts programme for the First World War Centenary commemorations.

This new exhibition will tell the story of the project through images of the volunteers from across the UK and BBC documentary charting the making of the project. 

Lorne Campbell, Artistic Director of Northern Stage, said: “We’re delighted to be the first venue to host this exhibition. ‘We’re here because we’re here’ was an incredible project to be involved in. Not only in bringing together a large group of participants from all walks of life to mark one of the great tragedies of the First World War, but in the enormous impact it had on audiences across the North East.

“It was a truly effective piece of art that slipped gently into the everyday, as a beautiful and subtle remembrance of the ordinary men who gave their lives in the senseless slaughter of the Somme. This new photo exhibition at Northern Stage will further celebrate the project, its participants and those the performance was created in remembrance of.”

Northern Stage was one of 26 organisations that collaborated on the project; the first time so many theatres have worked together on a UK-wide participation project, making it the largest arts participation project ever staged in the country.

The daylong work ran from 7am to 7pm and covered the width and breadth of the UK, from Shetland to Penzance. North East sites they visited included the National Glass Centre in Sunderland, Newcastle Quayside and Monument, Sage Gateshead and the Metro Centre, taking the memorial to contemporary Britain and bringing an intervention into people’s daily lives where it was least expected.

One of the North East volunteers was 38 year old John Taylor from Benton in Newcastle. John served with the 1st Battalion Royal Regiment of Fusiliers (1RRF) and the Royal Artillery, his father also served in the RNF and 1RRF and his Great Granddad, William Edward Atkinson served his country during WW1.

Another participant, James Gebbie, age 22 from North Shields, said, “I really enjoyed getting into costume and portraying a real life soldier, also researching my character.”
23 year old Edward Christensen from the West End of Newcastle said, “I enjoyed being part of a large ensemble and learning more about British military history.”

Jenny Waldman, Director of 14-18 NOW, said: “For the centenary of the Somme, Jeremy Deller, Rufus Norris, 26 theatres and over 1400 volunteers, created an exceptional and powerful live memorial 'We're here because we're here'. Both unexpected and warmly embraced by millions of people, the 'silent soldiers' made an impact across the UK. This exhibition is a wonderful way to remember the ambitious work and tell the story of how it came together.”

Rufus Norris, Director of the National Theatre, said: “This work by Jeremy Deller was a truly national piece of theatre and a powerful way to remember the men who went off to fight 100 years ago. I also hope it will serve as a catalyst to strengthen ties with theatres and communities across the UK.” 



Preview: Goldilocks and the Three Bears at Durham Gala




Goldilocks ballet is just right for The Gala

Goldilocks and the Three Bears
Durham Gala
Wednesday 15th March 2017

Northern Ballet is bringing the classic tale of Goldilocks and the Three Bears to life at the Gala Theatre on Wednesday 15 March with three performances including a special relaxed performance.

Jenny Hackwell as Goldilocks and
Lorenzo Trossello as the Blue Bird.
Goldilocks and the Three Bears is a reimagining of the classic children’s story, telling the tale of a mischievous little girl whose curiosity leads her to a house full of many surprises. Lasting approximately 40 minutes, the ballet has been especially created for children and young families to experience live dance, music and theatre.

Goldilocks and the Three Bears is the latest in the company’s award-winning series of Short Ballets for Small People, following on from the hugely successful Tortoise and the Hare, Three Little Pigs and Elves and the Shoemaker, all of which have been adapted by CBeebies. The production will be accompanied by live music from the Northern Ballet Sinfonia.

Tickets for this production are selling fast with the 2pm and 6pm performances sold out; however there are still tickets remaining for the relaxed performance at 4pm.

Robin Byers, service manager for place and experience said: “We believe that everyone should feel welcome at Gala, and after the success of our first relaxed performance for our pantomime Jack and the Beanstalk, we are delighted to be presenting another, this time with the help of Northern Ballet.

“This type of performance is designed to welcome audiences who might otherwise feel excluded from experiencing live theatre. This may include those with an autistic spectrum condition, learning disability or sensory and communication disorder.

“With a relaxed performance, we aim to create a less formal, more supportive environment. The audience are free to talk or move around if they need to, and a ‘chill out’ space is available for anyone who feels they would like to take a break. Lighting, sound and special effects are slightly altered to reduce anxiety levels, but the production remains the same as much as possible. Staff are trained to create a friendly setting and assist with any additional needs our patrons may have.”

Tickets:
Tickets are still available for the 4pm performance for £6 (£5 concessions) which can be booked online at www.galadurham.co.uk or by calling the box office 03000 266 600 or collecting in person.

News: Sunderland Empire Winner at Autism Professionals Awards



Sunderland Empire Winner at Autism Professionals Awards 2017

We are delighted to announce that the Creative Learning team at Sunderland Empire were winners at the National Autistic Society's prestigious Autism Professionals Awards last night (Tuesday 7th March) at Harrogate International Centre.

Hollie Coxon (Centre) from the
Sunderland Empire with event
hosts Sarah Hendrickx and Rina Lina
The Creative Learning team won the award for Inspirational Education Provision (Other) and had been shortlisted by an independent panel of 10 autism experts who commended them for going “above and beyond” in their work to provide opportunities to autistic people and their families.

Over the past 4 years, the Creative Learning team at Sunderland Empire have strived to deliver unique projects with the autism community, both at Sunderland Empire and through outreach across the Sunderland area. The key remit for these projects is to deliver interesting, leading and exceptional work in autism access and creative learning engagement.

In 2015, the Creative Learning team were successful in achieving Arts Council funding to support ‘Get Curious!’ This ASD Family Learning project was delivered in Partnership with National Theatre and their acclaimed production the Curious Incident of the Dog in the Night-Time, supported by local cultural organisations from across Sunderland.

Over the past year alone, the team have supported 1,239 in accessing as audiences at Relaxed and Supported experience performances, and 723 instances of people with Autism accessing creative learning.

The astounding outcomes of this very special project based learning have resulted in the identification across the UK of this project as a unique example of best practise. The close working relationships forged continue to grow and the Creative Learning team have developed an Autism-specific youth theatre in collaboration with No Limits Theatre. The project has been instrumental in leading Sunderland towards having a city wide autism friendly family offer, specifically across the Sunderland Family Arts Network.

Hollie Coxon, Creative Learning Manager at Sunderland Empire said: “It was an absolute honour to collect the award last night on behalf of the Creative Learning team, Sunderland Empire and the Ambassador Theatre Group as a whole. The award recognises nationally the ground-breaking and innovative work we deliver in Sunderland. The success of our projects is heavily dependent on strong, local partnership work and we would like to thank all of our participants, parents and key partners in particular No Limits Theatre, all of whom we represented last night to bring home this truly magnificent award.”

Sunderland Empire is managed by the Ambassador Theatre Group (ATG), the largest owner/operator of theatres in the UK, internationally recognised theatre producer and leader in theatre ticketing services, on behalf of the Sunderland Empire Trust and is supported by Sunderland City Council.

Karen Townsend, Head of Learning and Access at the Ambassador Theatre Group (ATG) said: “At ATG we believe everyone has the right to experience the joy of live theatre, whether through watching or performing. The Creative Learning team at Sunderland Empire have designed a brilliant delivery programme that demonstrates our commitment to this. The whole company is proud of what is being delivered at Sunderland Empire, whose engagement activities for those on the Autistic Spectrum, their families and friends continues to thrive and develop.”

The Autism Professionals Awards have been created to recognise and reward services and professionals who are leading the way in innovative autism practice and making a real difference to the lives of autistic people in the UK. 

The Awards seek to acknowledge the outstanding contributions and achievements of individuals, teams and organisations who have demonstrated excellence, dedication and commitment to improving the lives of autistic people.

Carol Povey, Director of the National Autistic Society’s Centre for Autism, said:  "It was wonderful to meet so many talented and passionate people and to hear about the difference their work is making for autistic people and their families.

“The Creative Learning Team should be extremely proud to have stood out among so many outstanding finalists, impressing the judges with exceptional work in autism access and creative learning engagement.

“I hope that by sharing team’s and the other winners and finalists’ stories, we can inspire other people and organisations. Caring and innovative professionals and services can transform the lives of autistic people and their families.”




Tuesday, 7 March 2017

REVIEW: The Tempest at Newcastle People’s Theatre


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 “As you from crimes would pardoned be,
Let your indulgence set me free.”

The Tempest
by William Shakespeare
Newcastle People’s Theatre
Until Saturday 11th March 2017

Director: Anna Dobson
Set & Lighting Design: Tim Swinton
Music: David & Shona Newey

After the success of last year’s Richard III (NETG Review LINK) we’d been looking forward to this year’s performance from Newcastle’s People’s Theatre and we were not disappointed.

The tale involves an overthrown Duke called Prospero (Tony Childs) who plans to use his magical powers to restore his daughter to her rightful position. He is based on a remote island and he is able to create a storm to lure his usurping brother Antonio (Jim Simpson) and the complicit King Alonso (Kevin Gibson) to the island.

Photo: Paula Smart
The Tempest is a popular Shakespearean play and it considered to one of his more ‘musical’ scripts. It is therefore fitting that a pair of musicians were performing live as the audience took their seats. Indeed there were a number of singing performances throughout the play. Under Anna Dobson’s direction there were also a number of funny parts. Not just ‘only funny if you happen to be a Shakespeare scholar’ either. The four spirits, performed by Daniel Magee, Millie Hackett, Anna Chidlow and Abigail Heaps plus the comic sprite Ariel (Mark Burden) generated a number of laughs along the way.

Photo: Paula Smart
Central to the success of any performance of Shakespeare is the strength of the casting of those central characters. How comfortable are they at delivering the often dialogue heavy tales? Will the audience engage and care for the characters? Just like Richard III the casting has produced a great ensemble. Tony Childs as Prospero is statesman like in his delivery. Emma Jane Richards is charming, and gets a few laughs herself, as his daughter Miranda. Pete McAndrew’s Caliban has the right mix of subservient slave and scheming orchestrator of trouble.   I could go on. Needless to see the show relies on a strong ensemble and this show indeed enjoys such a cast.

Photo: Paula Smart
The production felt modern, helped by both the set and lighting design. There is no messy conceptualising of the material, it is allowed to be enjoyed as it was intended.

The Tempest is a canny show that just shows that you don’t need to break the bank in order to see a good delivery of the Bard’s work.

Review by Stephen Oliver


Tickets:

The Tempest comes to The People’s Theatre, Stephenson Road, Newcastle upon Tyne, NE6 5QF on Tuesday 7th to Saturday 11th March 2017 at 7:30pm
Tickets cost: £13.50 (Concessions £11) and can be obtained from the box office on 0191 265 5020 or from the website:  www.peoplestheatre.co.uk







Saturday, 4 March 2017

Review: A Suitcase. A Toothbrush. A Ball at Newcastle Live Theatre


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The Future of Theatre is Bright

A Suitcase. A Toothbrush. A Ball
Newcastle Live Theatre
Saturday 4th March 2017

Tonight was the first of 2 nights of productions which have been devised by the Live’s Youth Theatre. Whereas some youth theatre programmes have already chosen the pre-written script that will be used, the young participants at Live have a role during each stage of the process. They select the theme for that year’s performances. With the help of professional drama facilitators, they devise the show and then they perform it. Each performer has had a chance to add their input into the show.  The result is that each of the 10 groups produces a brand new short play in the home of new writing.

It is time for a disclaimer. My son has been attending these sessions and performed tonight. This has given me an insight into the process behind each play. Having also experienced other youth drama schools he has said there is a much bigger focus in making the young people confident and in looking at the process of making a show rather than just how to read some lines.

The process has produced 5 very unique stories that were performed tonight. Each one had their merits and were worth watching in their own right. The young people clearly have developed and they did a good job of entertaining the audience. It is a shame that the names of each cast didn’t feature in the programme.

Truthpaste (11-13 Theatre East Group)
Director Stephen Durkin
Assistant director Hannah Parsonage

The opening piece involved an unruly class being asked to bring something suitable for a show and tell.  The teacher got a few laughs as he brought his class to attention whilst discussing his domestic arrangements. It is funny to see how students view their authority figures, do teachers really want their kids to fail? In order to fit in some students exaggerate about their lives and the play looks at why they might lie and the consequences. A fascinating look into whether you’d want beef or cheese flavoured toothpaste.

Unattended (14-16B Live Theatre Group)
Director Hannah Parsonage
Assistant director Bridget Ladyman

It is impressive how a short story can be layered up. Unattended considered 3 different ways an inanimate object, such as the suitcase, could be involved in different people’s lives. What stories could it tell? Again, we have a few laughs as the case found itself on the Bingo bus!

The Event (17-25B Live Theatre Group)
Director Ben Ayrton
Assistant director Sian Armstrong

The oldest group of the evening had a mature look at the nature of human relationships. A mutual friend of the cast had died a year ago and each member of the cast looks at how they feel about the deceased, the manner of their departure and the unfinished business with them. Always interesting.

Knowledge Is Power (11-13 Live Theatre Group)
Director JonLuke McKie
Assistant director Joanna Geronimo

Possibly the most topical of the evening’s 5 shows, the young people creating this show have clearly been watching the news. Zero hour contracts, working conditions in warehouses, workplace bullying and overly ambitious target setting all feature.  Another great cast gave the audience further chances to laugh, though should we be laughing at bad treatment of staff or a caricature of the USA’s president? Like the other plays, a number of scenes segue nicely in a well produced play with a number of strong performances.

The Girl (14-16A Live Theatre Group)
Director Toni McElhatton
Assistant director Isabelle Hutchinson

The final show was the most conceptualised. When her mothers suffer from a relationship breakdown, a girl seeks comfort from her books. Eventually new friendships are established. This tale shows that young people are capable of creating a piece that is not a traditional narrative.

All 5 shows tonight are a credit to the young people that devised and performed in them. Paul James and his team of creatives need to be congratulated at both giving the next generation of theatre makers a chance but also in the high quality of the end product. The crew and technical staff have also done a great job of supporting 5 different shows in one day. The shows are worth seeing and we look forward to tomorrow’s offering.

Review by Stephen Oliver.
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Friday, 3 March 2017

News: 100 Young Ballet Dancers required for a professional production of Swan Lake


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100 Young Ballet Dancers required for a professional production of Swan Lake

Audition: Wednesday 29th March at Sunderland Empire

ENGLISH YOUTH BALLET PRESENT
Swan Lake
Sunderland Empire
Friday 16th – Saturday 17th June 2017

English Youth Ballet is auditioning for roles for an exciting production of Swan Lake which pirouettes into Sunderland Empire from Friday 16th to Saturday 17th June 2017.  

Swan Lake  -   Photo: Peter Mares
At the audition on  Wednesday 29 March, 100 young male and female dancers (aged 8 – 18) from across the region will be offered the chance to rehearse with and then dance alongside international, professional principal dancers in the production for 3 performances in June.

Each audition will take the form of a regular ballet class but it will take place on the stage. Dancers will find out on the day if they are successful.  It is advisable to register for the audition in advance but it is possible to register on the day (please arrive 30 minutes early to register). The audition fee is £15.00 with further details on registration English Youth Ballet.  All dancers at audition will participate in a full ballet class.

Auditions will be held on Wednesday 29th March at Sunderland Empire Theatre, High Street West, Sunderland SR1 3EX.

4.30 – 6.15pm     Audition 1 (for dancers aged 8 – 11)

6.45– 8.30pm      Audition 2 (for dancers aged 12 – 18)

Award-winning English Youth Ballet (EYB) is now in its 19th successful year and is one of the largest ballet companies in the UK.   EYB is a national touring ballet company with Director - Janet Lewis MBE at its helm.

Photo: David Allan Photography
Miss Lewis enjoyed an illustrious dancing career with the Royal Ballet Company and London Festival Ballet dancing alongside such greats as Margot Fonteyn and Rudolf Nureyev.  The company consists of a core team of 8 international principal dancers, 2 artistic ballet staff, 2 wardrobe mistresses and 4 theatre technicians. The principal dancers have danced in some of the world’s greatest companies including English National Ballet, La Scala and the Boston Ballet. EYB is highly regarded for presenting lavish, large-scale classical ballets and critics have praised the quality of the beautiful sets and costumes. 

EYB Director – Janet Lewis says: “The EYB audition is an experience in itself.   EYB is all about performance experience and this starts at the audition as the dancers are given a regular ballet class with parents and family encouraged to watch.  We are looking for young dancers of all abilities who can show the audience how much they enjoy their dancing."

The policy of EYB is to give professional performance experience to young dancers in beautiful venues close to where they live.   The young dancers benefit from being coached and mentored by the professional dancers in an 11-day rehearsal period which takes place out of school hours.  They gain a unique insight into what it is like to be a professional dancer.   Young dancers have said “EYB is the best thing I have ever done”.  Parents have said “it is lovely to see my daughter gaining in confidence.”  Teachers have said “EYB inspires young dancers and you notice something different about them in class when they return.”


Auditions will be held on Wednesday 29th March at Sunderland Empire Theatre, High Street West, Sunderland SR1 3EX. Prior registration strongly advised.


4.30 – 6.15pm     Audition 1 (for dancers aged 8 – 11)

6.45– 8.30pm      Audition 2 (for dancers aged 12 – 18)

For more information and to register for the audition please contact Miss Lewis either on 01689 856747 or by email misslewis@englishyouthballet.co.uk.  

For more information about English Youth Ballet please visit www.englishyouthballet.co.uk. 

Tickets:
Tickets available in person at the Box Office on High Street West, from the Ticket Centre on 0844 871 3022* or online at www.ATGtickets.com/Sunderland*
*Calls cost up to 7p per minute plus your standard network charge. Booking fees may apply to telephone and online bookings